倪祥|Ni Hsiang

1982 年生於嘉義,畢業於臺南藝術學院造形藝術研究所。其創作經常引入高度個人化的想像與戲謔感,回應臺灣社會現實、信仰與集體記憶等議題。藝術家擅長運用並改造現成物,透過分類、堆疊與重組,使物件流露出荒謬而複雜的生命狀態;物質與記憶在作品中形成超連結,轉化為關於孤獨、自由與存在感的隱喻,並逐步建構出其獨特的敘事網絡。

Ni Hsiang (b. 1982, Chiayi, Taiwan) graduated from the Graduate Institute of Visual Arts, Tainan National University of the Arts. His work blends personal imagination with playfulness, addressing social realities, beliefs, and collective memory in Taiwan.Using and transforming found objects through categorization, stacking, and recombination, he evokes absurd yet complex states of life. Materials and memory intertwine, forming metaphors for solitude, freedom, and existence, building his distinctive narrative network.

《我是對的》|I'm Right

《大家都來看你了》| Everyone came to see you

垃圾的各種時態:棄之可惜的家中囤物、點石成金的廢紙箱雕塑、現實現成的照護現場、垃圾都不如的拖累痛苦

The Many Tenses of Garbage:domestic hoards, impossible to throw away;cardboard waste transmuted into gold;ready-made scenes of care;and the dragging pain of a burden lower than trash itself.

《有空》|I’m free

《回來看自己》|Returning to See Oneself

《請跟我來》|Please follow me.

《123木頭人》|123 Freeze

最後的魚塭(強拆前)現場活動The Last Fishpond (Before Demolition) – Live Event

《2012大林蒲國際公害攝影大賞》 (網路宣傳影片)

《很快就補償》 Compensation soon

《清醒詩人》 Lucid Poet