垃圾的各種時態：棄之可惜的家中囤物、點石成金的廢紙箱雕塑、現實現成的照護現場、垃圾都不如的拖累痛苦。

The Many Tenses of Garbage:domestic hoards, impossible to throw away;cardboard waste transmuted into gold;ready-made scenes of care;and the dragging pain of a burden lower than trash itself.

以臺灣嘉義東石地層下陷導致墳墓浸水為發想，讓沈重的墳墓反常飄起來，成為一個看似日常划船的人文風景。

Inspired by the flooding of graves caused by land subsidence in Dongshi, Chiayi, Taiwan, heavy tombs are made to float unnaturally, creating a seemingly everyday cultural landscape of boating. 

在廢墟中展開一段復返探視的行程，其實是物件自身回魂的過程。

In the ruins, a journey of revisitation unfolds, which is in fact the objects themselves returning to life.

以道具模擬雪景，在道具又藏著真正能食用的蛤蜊諸如此類的手法，以破碎的敘事展開我對藝術的理解。

Using props to simulate a snowy landscape—while concealing edible clams and similar elements within them—I unfold my understanding of art through a fragmented narrative. 

以家中混亂的床上為背景，讓一群穿著顯示各種身份衣著的不會再動作的標本圍繞一隻睡夢中不斷抽搐的小狗，配一段長長的鼾聲。

Against the chaotic backdrop of a bedroom, a group of motionless figures—dressed to indicate various identities—surround a small dog in deep sleep, twitching incessantly, accompanied by a long, drawn-out snore. 

《2012 Dalinpu International Environmental Photography Award》 (Online Promo Video)

就算是不需要的 很快就補償 Even the unwanted is promptly compensated.

日復一日看膩了的生活範圍，借由真實照片和對照局部位置的繪圖改造，再重新思考看和想的可能。

Daily, familiar spaces are transformed through photographs and detailed drawings, inviting a fresh reflection on seeing and imagining.